NEWS
NEWS

AFFINITY DESIGNER TEXTURE BRUSH PACK

Once upon a time vector software only produced clean, sharp artwork, but Serif's
texture intensity brush engine for
Affinity Designer has made this app a great option for digital painters.
In an era of ever shortening deadlines and last minute changes, the scalability of vector curves makes good sense.

With that in mind I have adapted some of my brush heads for use in Affinity Designer as well as
developing many new ones. This pack contains 90 brushes to quickly add different textured strokes to your art.

Click here to see a video overview of the brushes in action.

To buy this brush set, click on the shop button beneath any page header or
go there now.

AFFINITY DESIGNER TEXTURE BRUSH PACK

Once upon a time vector software only produced clean, sharp artwork,
but Serif's texture intensity brush engine for
Affinity Designer has made this app a great option for digital painters. In an era of ever shortening deadlines and last minute changes, the scalability of vector curves makes good sense.

With that in mind I have adapted some of my brush heads for use in Affinity Designer
as well as developing many new ones. This pack contains 90 brushes to quickly add different textured strokes to your art.

Click here to see a video overview of the brushes in action.

To buy this brush set, click on the shop button under any page header or
go there now.

AFFINITY DESIGNER
TEXTURE BRUSH PACK


Once upon a time vector
software only produced clean, sharp artwork, but Serif's
texture intensity brush engine for
Affinity Designer has made this app a great option for digital painters.
In an era of ever shortening deadlines and last minute changes, the scalability of vector curves makes good sense.

With that in mind I have
adapted some of my brush heads for use in Affinity Designer as well as developing many new ones. This pack contains 90 brushes to quickly add different textured strokes to your art.

Click here to see a video
overview of the brushes in action.

To buy this brush set, click on the shop button beneath any page header or
go there now.


ARTRAGE 5 TEXTURE BRUSH PACKS 1 & 2

A large collection of texture brushes for ArtRage 5’s brilliant Custom Brush tool. Pack 1 contains
20 brushes in both blendable and solid colour variations - a total of 40 presets. Pack 2 contains 30 blendable brushes for adding detailed textures like rock and paper grain.

Watch YouTube video clips of all 70 presets here:
pack 1 and pack 2.

Buy separately or get both packs in a bundle and save 25%. Click on the shopping cart beneath any page banner or
go there now.

ARTRAGE 5 TEXTURE BRUSH PACKS 1 & 2

A large collection of texture brushes for ArtRage 5’s brilliant Custom Brush tool.
Pack 1 contains 20 brushes in both blendable and solid colour variations - a total of 40 presets. Pack 2 contains 30 blendable brushes for adding detailed textures.

Watch YouTube video clips of all 70 presets here:
pack 1 and pack 2.

Buy separately or get both packs in a bundle and save 25%. Click on the shopping cart beneath any page banner or
go there now.

ARTRAGE 5 TEXTURE BRUSH PACKS 1 & 2

A large collection of texture brushes for ArtRage 5’s brilliant Custom Brush tool.
Pack 1 contains 20 brushes in both blendable and solid colour variations - a total of 40 presets. Pack 2 contains 30 blendable brushes for adding detailed textures like rock and paper grain.

Watch YouTube video clips of all 70 presets here:
pack 1 and pack 2.

Buy separately or get both packs in a bundle and save 25%. Click on the shopping cart beneath any page banner or
go there now.

ARTRAGE 5
TEXTURE BRUSH PACKS 1 & 2

A large collection of texture brushes for ArtRage 5’s brilliant new Custom Brush tool.

Pack 1 contains 20 brushes in both blendable and solid colour variations - 40 presets in all.

Pack 2 contains 30 blendable brushes for quickly adding detailed textures like rock, paper grain and lichen.

For a couple of quick
video clips showing all 70 presets in action follow the links:
Pack 1 and Pack 2.

Buy each pack separately
or get both in a bundle option and save 25%. All options are affordable and checkout is fast and secure using PayPal.

Click on the shop button beneath any page banner or
go there now.



PORTFOLIOS
PORTFOLIOS
PORTFOLIOS
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3D ART

Click on the '3D Art'
tab for works made with 3D software. This section typically includes imagery for advertising and publishing as well as personal pieces made while testing and learning
specific techniques.
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.
.

Click on the '3D Art'
tab for works made
with 3D software. This section typically includes images used in advertising and publishing as well as personal pieces made while testing specific techniques.
.
.

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2D ART

Click on the '2D Art'
tab for examples of digital
works using natural media emulation software. This gallery typically includes samples of book illustration, concept art, beta test paintings and
personal experiments.
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.
.

Click on the '2D Art'
tab for examples of digital works using natural media emulation software. This gallery typically includes samples of book illustration, concept art, beta test pieces and personal experiments.
.
.

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FINE ART

Click on the 'Fine Art'
tab for work made with oils, pastel, watercolour, acrylic and digital tools. Both traditional and modern materials are a fascination which constantly inspire experiments with
different media.
.
.
.

Click on the 'Fine Art'
tab for work made with oils, pastel, watercolour, acrylic and digital tools. Both traditional and modern materials are a fascination which inspire experiments with different media.
.
.
.



ABOUT
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After initially starting out in fine art, I became a freelance illustrator in 1997 when a year long creative computing course opened my eyes to the potential of digital illustration.

While on the course an opportunity arose to work for an in-store marketing company producing 3D product renders, which over the years has expanded into personal and client led interests in visualisation, product advertising, concept art, game asset creation,
photo enhancement and book illustration.

The tools employed depend on each brief, but flexibility is key for any freelance
illustrator, so I am equally at home creating art with 2D software, 3D software or all the usual traditional fine art materials.

ABOUT
Stacks Image 527

After initially starting out in fine art, I became a freelance illustrator in 1997 when a year long creative computing
course opened my eyes to the potential of digital illustration.
While on the course an opportunity arose to work for an in-store marketing company producing 3D product renders, which over the years has expanded into personal and client led interests in product visualisation, product advertising, concept art, game asset creation, book illustration and photo manipulation.

The tools employed depend on each brief, but flexibility is key for many clients, so I am equally
at home creating art with 2D software, 3D software or the usual traditional fine art materials.
ABOUT
Stacks Image 543

After initially starting out
in fine art, I became a freelance illustrator in 1997 when a year long creative computing course opened my eyes to the potential of digital illustration.

While on the course an opportunity arose to work for
an in-store marketing company producing 3D product renders, which over the years has expanded into personal and
client led interests in visualisation, product advertising, concept
art, game asset creation,
book illustration and photo manipulation.

The tools employed depend
on each brief, but flexibility is key for any freelance illustrator, so I am equally at home with 2D software, 3D software or the usual traditional fine art materials.


All content © Sav Scatola unless otherwise stated

All content
© Sav Scatola unless otherwise stated